Season of the Witch campaign

This article includes a contribution from Simon Costin, the Director of the Museum and also features images of his set design for Comme des Garcons.

http://www.dazeddigital.com/fashion/article/31267/1/season-of-the-witch-comme-des-garcons

The gallery includes images from the Museum:
http://www.dazeddigital.com/artsandculture/gallery/21979/4/season-of-the-witch

Dogs love Cornwall (and the Museum!)

The Museum welcomes well behaved dogs on leads and appears in this month's "Dogs love Cornwall" feature of Cornwall Living magazine (pictured above).

Tom, the Museum dog cast his eye over the magazine for us.  He doesn't look that impressed but he does love Cornwall (and the Museum!)

Conference in London on "Satanic Abuse Scare"

UK Satanic Abuse Scare: 25 Years On

In the late 80s and early 90s the media portrayed Pagans as satanic, large-scale ritual child abusers. Definitively disproven by a thorough government-funded investigation, the scare is nonetheless of significance for understanding new religious movements, British society and ideas about Paganism. Tonight’s conference revisits the scare with first-hand accounts of what it was like for Pagans, and then how it ended after researchers and investigative journalism got involved.  The preceding wine reception will include an exhibition of periodicals from the period – courtesy of Pagan News and Inform's archives. The event is a collaboration between Inform and Treadwell's. 

The five speakers are:

Prof. Jean LaFontaine, Professor Emeritus of the London School of Economics, and board member of Inform. Professor Lafontaine is author of the report which effectively ended the scare.

Prudence Jones, former president of the Pagan Federation, and active senior member during the scare

Phil Hine Co-founder and co-editor of Pagan News in the early 1990s

Amanda van Eck Associate Director of Inform, a doctoral student in sociology at LSE

Rosie Waterhouse Director of the MA in Investigative Journalism MA, at City University London and a freelance journalist whose pioneering journalism was instrumental in ending the scare

Where: London School of Economics New Academic Building 54 Lincolns Inn Fields (Holborn Tube)

When: Tuesday July 5th, 5:30pm – 9:30pm

Price: £15

Bookings: https://www.treadwells-london.com/event/uk-satanic-abuse-scare-25-years-on/

Folklore Tapes project

Last week David Chatton Barker, Sam Mcloughlin and Ian Humberstone undertook a research/artistic residency at the Museum.  Working under the name Folklore Tapes - an open ended research project, music, spoken word and visual art collective - David, Sam and Ian seek to ‘bring the nation’s folk record to life, [and] to rekindle interest in the treasure trove of traditional culture by finding new forms for its expression.’

Since performing a work about the folklorist Theo Brown at the Women In Print: Witchcraft and the Popular Press 1920-1999 event in April last year, the Museum has been keen to work with them and now that time has arrived.  After exploring the object stores, museum displays, library and archives, the chaps produced art works, field recordings and musical responses to spaces within the Museum in what will be a coherent meditation on the richness and variety of the Museum and on magical practice in the area.  Below are a few teaser images, interspersed with examples of their previous work.  

The project will manifest in live performances, films, a magazine, and a release full to the brim with sympathetic, intense and thought provoking responses to this wonderful collection...

For more information go to www.folkloretapes.co.uk.  Of special interest is their recent Rituals and Practices release, focusing on Devon.  http://www.folkloretapes.co.uk/product/devon-folklore-tapes-vol-iv-rituals-practices

Museum open by candlelit tonight!

Come and experience the wonderful atmosphere of the Museum at night.  Open from 8-11pm (last entry at 10.30pm) on Saturday 4th June.  No need to book, just pay on the door as usual and enjoy!

Wonderful witch's long lost sister?

We recently received a donation of a rather wonderful witch.  Here she is welcoming visitors to the Museum...

A Friend of the Museum spotted a very similar witch in Truro, perhaps they are long lost sisters?

Many thanks to Gillian Nott for this photo.

Great photos of the Museum

Carol Keith, a Friend of the Museum, recently spent a few days in Boscastle.  She took several photos during her time here and she recently shared some particularly atmospheric ones with us!  Take a look.

Above: Brownie Pate section in the Modern Witchcraft gallery.

Above: the hare lady looking amazing in the top gallery.

Above: our display of ouija/spirit boards.

Above: the iconography of a witch: the cat, the hat, the broom and the cauldron from the Images of Witchcraft display.

Questions from the Pagan Writers Community

A few weeks ago, we were asked a series of thoughtful questions by the Pagan Writer's Community (via Mario Woolley),  The questions and answers can now be read online:
http://paganwriterscommunity.blogspot.co.uk/2016/06/q-boscastle-museum-of-witchcraft-and.html
We hope to see many of their readers here soon!

Coloured thread folk magic donation

Friend of the Museum John Byrne recently kindly donated a collection of wands and charms, including crosses, an old iron nail and a small horseshoe (photographed below).

Drawing on Lancashire’s long history of folk magic, John’s magical tools are inspired by traditional rowan crosses bound with red thread, but they also explore the significance of other woods such as elder and apple, together with various different coloured threads and objects such as shell and sea glass. 

It is fascinating to see how our supporters rework and revitalise the magic represented in our collection, and we are very grateful to John and everyone who helps to keep the Museum somewhere living and evolving.

Many thanks to Joyce Froome for this text.  

Horse brass of Boscastle now available

The Museum now stocks these charming Boscastle horse brasses - based on a traditional design,,,

They are available from the online shop http://www.museumofwitchcraft.com/shop/gb/wonderful-witchy-wares/333-witch-horse-brass.html and from the Museum.

Wonderful witchy ways

We recently received a witchy donation from a local couple.  This witch oversaw their handfasting.  Before being put in store (for the time being) she took a tour of the Museum.

Above: enjoying the sunshine in the Harbour.

Above: when visiting the Museum, you have to have your photo taken by the witch door (and you can park your broomstick here too if you like!)

Above: admiring the Beltane window display (we took this photos in early May).

Above: in the Museum entrance.

Above: at "work" in the booth.

Above: spending time with Joan the Wise Woman in her cottage.

Above: is she a witch?  Getting weighed in the weighing chair!

Museum is taking part in Carer's Week

We are delighted to be taking part in Carer's Week again this year by offering free entry to carers during the week of June 6th-12th.

It really is such a small thing to do for people who do so much for others.  It is a pity more organisations aren't taking part!  Below is the list of places taking part in Carer's Week in Cornwall this year.

Halloween conference more detail on the speakers

More details of Halloween Conference speakers, October 15 2016...

Here is a brief outline of a talk to be given on the day by Tommy Kuusela who is a PhD Candidate in History of Religions from Stockholm University.

How to learn magic by going on a year walk

Year walk was a complex form of divination in Swedish folk tradition that could be used for predicting events for the coming year.  The year walker was supposed to be not locked up in a dark room without speaking to anyone nor taste any food or drink.  At midnight he or she walked to the parish church (or a cluster of different churches), circled it three times (or more) and entered a liminal stage where supernatural beings could appear and challenge the year walker, not least a terrible ghost pig called Gloson or the dead. If he or she managed these tests, glimpses of the future could appear, either in vision or by sounds which could give a glimpse of what would happen in the community during the next year.  He or she could also learn magic or acquire a black book of spells. The methods could vary widely regionally. In this paper I will concentrate on the magical aspects of year walk and give examples from the Swedish folklore archives where the goal of the walker is to become cunning or gain a magical object.

Day of Talks on Halloween Past & Present

To celebrate the 2016 exhibition Glitter & Gravedust

October 15 2016

at The Wellington Hotel, Boscastle, Cornwall 

10am - 4.30pm 

+ Evening entertainment from 8pm 

Tickets £25

Price includes admission to conference, admission to evening social event and entertainment (drinks not included!), as well as entry to the Museum on Saturday or Sunday.

Places are limited and pre-payment is essential to book your place.

Ways to pay:

By paypal.  Our paypal account is: museumwitchcraft@aol.com

Please put ‘Halloween’ as a reference.

By card: phone the Museum on 01840 250 111 and complete the transaction using a credit or debit card.

By cash: pop into the Museum and pay at the counter

By cheque: send a cheque made payable to Museum of Witchcraft to our address: the Museum of Witchcraft and Magic, the Harbour, Boscastle, PL35 0HD.

Any issues, email the Museum: museumwitchcraft@aol.com

We recommend that attendees book their rooms directly with the Wellington.  http://wellingtonhotelboscastle.com/

Palmistry readings

It was a beautiful day in Boscastle yesterday and we were delighted to have someone outside reading palms and tarot!  A lady from Tintagel called Joyce sat outside in the sunshine for about five hours and had a constant stream of people eager to peer into their future.  This was all done for charity (specifically the Soi Dog Foundation https://www.soidog.org/).  Joyce raised a lot of money for her cause and we hope to see her again here soon!

May Event write up and photos

A day of talks was held in Boscastle on Saturday May 14th.  It was lovely to see everyone there and the day seemed like a great success.  If you weren't able to attend, here is a write up of the day by Joyce Froome.  Photos courtesy of Kerriann Godwin and Mark Norman.  Thanks to everyone who helped make this day a success.  Special thanks to Steve Patterson.

If you like the sound of this, you might consider attending our Halloween Conference on October 15th:

http://museumofwitchcraft.blogspot.co.uk/2016/05/book-now-for-halloween-conference.html 

Above: Geraldine with Steve Patterson in the upstairs gallery.

Geraldine Beskin began the event with a compelling account of the life and character of the Spiritualist medium Helen Duncan, who has become famous as the last person tried for witchcraft in Britain. She is often seen simply as the victim of injustice whose case led to the repeal of the Witchcraft Act, but Geraldine revealed a far more complex story, with disquieting echoes of earlier witch hunts. 

Helen Duncan came from a part of Scotland where there was a strong belief in second sight. Before she achieved fame as a medium, her life was full of poverty, illness and tragedy, alleviated only by her marriage to a soldier she had communicated with psychically as he lay wounded during the First World War. Her remarkable ability to enter a mediumistic trance thus grew out of personal trauma as well as the traditional beliefs of her Scottish home. She then became embroiled in the conflict between the increasingly popular Spiritualist movement and scientific scepticism, developing an ill-advised association with the self-promoting psychic investigator Harry Price; and the apparent incongruity of the fact that her psychic powers were combined with a tough and sometimes belligerent personality made her an obvious target for those determined to discredit Spiritualism. 

Geraldine’s infectious admiration for Helen Duncan held her audience captivated, and brought alive the human story behind Helen Duncan’s historical significance.

Above: Zoe Young with Ralph Harvey and Cassie Calhoun in the Museum.

Next up was Nick Groom with a lively exploration of British May Day customs. He began (of course!) with the Padstow Obby Oss, before heading off on a fascinating foray into the numerous historical accounts of other May festivities, featuring morris dancers, maypoles, dragons and horses. The evidence suggests a wealth of locally distinctive ceremonies, confirming the social and spiritual importance of May Day. As the character of our countryside is eroded by growing uniformity and commercialisation, Nick encouragingly suggested that May Day celebrations seem to have an ability to resist this in a way that other festivals cannot.

In the afternoon, Zoe Young gave a moving and troubling account of her experiences making a film about the persecution of women accused of witchcraft in Ghana – a disturbing reminder that the fear of malevolent magic is still having terrible consequences today. She went on to suggest a connection between these persecutions and the abuse of children suspected of being possessed by evil spirits in African-origin communities in London. She explored the complicated contributing factors, including the role of the fundamentalist Christian churches that exploit these situations to gain control over their congregations, and the tension between traditional animist spirit beliefs and the growth of a commercialised attitude to the natural world. It is a subject that raises many challenging questions. Does a belief in magic lead to the persecution of women, or does the desire to disempower women lead to the demonization of magic? Zoe made the important and thought-provoking point that those of us who are fighting to rehabilitate the concept of the witch in Europe and America need to be aware of the potential implications and global context of our efforts.

Above: Joyce Froome looking at the Richel Collection.

The afternoon was rounded off with a discussion of some of the objects in the Museum’s collection. As so often happens, it was a reminder of how our supporters are one of our best sources of information. Contributions included an account of a wise woman capturing a troublesome spirit in a jam jar, and the important warning that it is extremely difficult to charge a wand made of metal. Thank you all very much – your information will be a valuable addition to our database.

Above: there were also stalls at the event selling an array of items (this photo shows Circle of Spears' stall).

The day ended with a candlelit evening at the Museum (photos below).  It was a great day, watch this space for future events!

Above: Museum manager Peter welcoming visitors.

Above: Binky, Friend of the Museum in the lower gallery.

Above: Museum Director Simon Costin with Helen Cornish.

Above: Simon with Ralph Harvey.

Above: Mark Norman of Circle of Spears productions. 

Watch a video about the "Dark Gathering" at the Museum

For the past two years, the Museum has played host to a "Dark Gathering" on October 31st (Samhain or Halloween).  This year's event promises to be bigger and better than ever and will be held on Saturday October 29th (more details to come).

You can watch a video of last year's event here:
https://www.youtube.com/watch?v=u6w5lV6WYY4

It was truly amazing and we cannot thank-you enough to everyone involved (special thanks go to Cassandra Latham-Jones).

Victoria & Albert Museum Loans

After many months of behind the scenes form filling, we are very pleased to be lending some objects to the Victoria and Albert Museum’s new show So you want a Revolution?:  Records and Rebels 1966-70.   When Simon met the curators last year and told them about the fantastic collection here in Boscastle they were really keen for the MWM collection to be part of the exhibition.

Records and Rebels opens on Saturday 10 September 2016 in London, and will tour extensively across Europe and North America.  The exhibition will focus on the social, political, and cultural changes of the latter half of the 1960s and the search for a better world.  A section of the exhibition will consider Wicca and a revived interest in the Occult as part of this.  One of the objects on loan is this fabulous recent donation from Patricia Crowther (photographed in 1968):

 

MWM objects will mingle with other fascinating collections charting revolutionary new ways of living: underground magazines from Oz to the International Times; a shopping list written behind barricades during the 1968 Paris student riots; a moon rock on loan from NASA alongside the space suit worn by William Anders, who took the defining ‘Earthrise’ photograph on the Apollo 8 mission; a rare Apple 1 computer; an Ossie Clark costume for Mick Jagger; original artworks by Richard Hamilton; shards from Jimi Hendrix’s guitar; the suits worn by John Lennon and George Harrison on the cover of Sgt. Pepper’s Lonely Hearts Club Band and handwritten lyrics for ‘Lucy in the Sky with Diamonds’ by the Beatles.

I am sure you will agree that this is not only great publicity for MWM, but it also demonstrates the strength and depth of the collections and their continued relevance today.

https://www.vam.ac.uk/exhibitions/you-say-you-want-a-revolution-records-and-rebels-1966-70

Halloween conference October 15th more detail on speakers

The tickets for our day of talks on October 15th are selling well.  The theme is Halloween and we have some fascinating talks lined up.  An evening of poems, prose and music (complete with wine and nibbles) is also included in the ticket price.  The event is being held at the Wellington Hotel in Boscastle.

Here is a preview of Judith Noble's talk.  Judith is a Senior Lecturer in Film Production at the Arts University, Bournemouth. She researches and publishes on avant-garde and experimental film and the occult and esoteric.  She is the author of “A Witch’s Mirror: The Art of Making Magic.”

Beyond Halloween

This paper traces the evolution of a Samhain ritual in one Wiccan coven in Devon over a period of nearly 25 years, beginning in 1991. The coven is not hierarchical, and its rituals are actively developed by all its members. It was founded within the Gardnerian tradition but over many years has developed a strong commitment to the forms practices of what might be termed Traditional Witchcraft.

When this writer first became involved with the coven, its Samhain ritual was broadly similar to that of other Gardnerian groups, marking the passing of the year into darkness, a journey inwards to the world of spirit and a point of contact with loved ones who have passed into spirit. However, over the years it has evolved into a very deep and intense ritual of spirit contact and inner vision, which demands a concentrated degree of engagement and commitment and which has profound and sometimes very unexpected effects on the participants. It works profound changes in all those who experience it, and makes the world of spirit a very present reality for them.

In this paper I examine how this ritual has grown and changed and consider its form and its meanings. Contained within the structure of a Wiccan ritual are practices which have much in common with some forms of Shamanism, with the possession states experienced in some African Diaspora spiritualities and with deep trance. I also consider the effects of the ritual on its practitioners.

This paper is written from personal experience and with the consent of the members of the coven.

Tickets are £25 per person

Pre-payment essential

Ways to pay

By paypal.  Our paypal account is: museumwitchcraft@aol.com
Please put "Halloween" as a reference.

By card: phone the Museum on 01840250111 and complete the transaction using a credit or debit card

By cash: pop into the Museum and pay at the counter

By cheque: send a cheque made payable to Museum of Witchcraft to our address: the Museum of Witchcraft and Magic, the Harbour, Boscastle, PL35 0HD

Any issues, email the Museum: museumwitchcraft@aol.com